Daily Sabah logo

Politics
Diplomacy Legislation War On Terror EU Affairs Elections News Analysis
TÜRKİYE
Istanbul Education Investigations Minorities Expat Corner Diaspora
World
Mid-East Europe Americas Asia Pacific Africa Syrian Crisis Islamophobia
Business
Automotive Economy Energy Finance Tourism Tech Defense Transportation News Analysis
Lifestyle
Health Environment Travel Food Fashion Science Religion History Feature Expat Corner
Arts
Cinema Music Events Portrait Reviews Performing Arts
Sports
Football Basketball Motorsports Tennis
Opinion
Columns Op-Ed Reader's Corner Editorial
PHOTO GALLERY
JOBS ABOUT US RSS PRIVACY CONTACT US
© Turkuvaz Haberleşme ve Yayıncılık 2023

Daily Sabah logo

عربي
  • Politics
    • Diplomacy
    • Legislation
    • War On Terror
    • EU Affairs
    • Elections
    • News Analysis
  • TÜRKİYE
    • Istanbul
    • Education
    • Investigations
    • Minorities
    • Expat Corner
    • Diaspora
  • World
    • Mid-East
    • Europe
    • Americas
    • Asia Pacific
    • Africa
    • Syrian Crisis
    • Islamophobia
  • Business
    • Automotive
    • Economy
    • Energy
    • Finance
    • Tourism
    • Tech
    • Defense
    • Transportation
    • News Analysis
  • Lifestyle
    • Health
    • Environment
    • Travel
    • Food
    • Fashion
    • Science
    • Religion
    • History
    • Feature
    • Expat Corner
  • Arts
    • Cinema
    • Music
    • Events
    • Portrait
    • Reviews
    • Performing Arts
  • Sports
    • Football
    • Basketball
    • Motorsports
    • Tennis
  • Gallery
  • Opinion
    • Columns
    • Op-Ed
    • Reader's Corner
    • Editorial
  • TV

Swedish art museum Romanian street beggars as props

by

MALMÖ Mar 06, 2015 - 12:00 am GMT+3
by Mar 06, 2015 12:00 am
By putting two Romanian beggars on display in their latest show, Swedish artists mean to raise questions about global inequality, but instead find themselves accused of exploiting the poor. For the street beggars from Europe's oppressed Roma minority, it was an offer they could not refuse. But since it opened in January, the show has turned out more contentious than organizers expected - with critics saying it reflected a middle-class Swedish view and that it slighted the Roma.

Even some visitors were disturbed. "The poverty came so close. It bothered me," said Ann-Margret Oftedal. Luca Lacatus, a 28-year-old carpenter from a village in northern Romania, and his girlfriend Marcella Cheresi, 26, were panhandling on the cold, windy streets of Malmoe, Sweden's third largest city, when they were approached. Instead of bringing in 30 to 60 kronor (3 to 6 euros, $3.5 and $7.1) per day, the two could quadruple their income for just two hours' work inside the warm, cozy Konsthall, one of the biggest galleries in the city. The only catch: as part of the installation, they still had to act as if they were begging. "It's better than out on the street," the soft-spoken Lacatus told AFP using a Romanian translator. "Outside it's cold and people aren't as nice as they are in here. And you don't have to talk very much." The 140 kronor he earned per hour would go towards rebuilding his home, which he said was destroyed in a blaze two years ago, and prompted social services to take two of his four children. The other two were staying with family members, he added. Cheresi, now pregnant with the couple's first child, also has two other children of her own now staying with her sister.

Romania's impoverished Roma minority suffers widespread discrimination in the job market - even Romanian President Traian Basescu was fined last year for claiming the group traditionally lived off stealing and was unwilling to work.

With few job prospects in what is the European Union's second poorest member state, many have used the bloc's freedom of movement to travel to wealthier nations.

While some European countries have banned begging, it remains legal - if rare in Sweden until recently. In Malmoe alone, around 150 Romanian Roma make a living soliciting money outside shops and railway stations, according to a local activist group.

Lacatus cut an incongruous figure as he walked through the Malmoe art museum's restaurant, a popular lunch spot serving locally-sourced food to a left-leaning, intellectual crowd. "People here feel more sorry for us than those out there on the street," he said, leaning on a crutch he said he needed since a traffic accident in Italy.

To enter the art installation, visitors file through a dark corridor where a succession of screens announce: "Today you do not have to give (any money)." They enter a near-empty, dimly-lit room where the Roma couple sit in silence, facing each other at opposite ends. Soothing music plays and a wall is filled with newspaper clippings about how to effect social change.

Few people stayed inside the room for more than a few seconds. "You feel a kind of discomfort. I felt unable to concentrate when I was inside the room," said Paer Koersell. Anders Carlsson, the artistic director of Institute, the group behind the installation, said it was meant to get Swedes to question their attitudes towards street beggars.

"As an artist I can offer a space where people can investigate why they are so tolerant towards these injustices that actually go against their own morality," he said.

But the leader of an organisation for Malmoe's Swedish-born Roma - around 10,000 live in the city - was not sure using real beggars was the best way.

"There are plenty of organisations today - established, serious ones that work with these issues on a daily basis," said Erland Kaldaras. "It bothers we Roma who live in Sweden to see our brothers and sisters sit on the street and beg," he said. Others accused the artists of pandering to a middle class perspective that added little to Sweden's debate about how best to help its Romanian migrants, who don't have access to the country's generous welfare system. "The exhibition is not about their lives or their experience of poverty and misery, it's about how we (Swedes) experience the begging," Aaron Israelson, the editor of a magazine sold by homeless people, told AFP.

And with hundreds of beggars in the street who needs to see an exhibition, he argued. Author and political commentator Kajsa Ekis Ekman, meanwhile, said put

ting rich people on display would have been a more effective way to stir debate on global inequality. "If people had seen their bosses sitting (there) asking for money they would really have had to think about their own self image," she wrote in leftist daily Dagens ETC.
  • shortlink copied
  • Last Update: Mar 06, 2015 2:17 am
    RELATED TOPICS
    fight-against-terrorism DEUTSCHE-BANK US-LIBYA-RELATIONS
    KEYWORDS
    arts
    The Daily Sabah Newsletter
    Keep up to date with what’s happening in Turkey, it’s region and the world.
    You can unsubscribe at any time. By signing up you are agreeing to our Terms of Use and Privacy Policy. This site is protected by reCAPTCHA and the Google Privacy Policy and Terms of Service apply.
    No Image
    A look inside the 'closed loop' Olympic zone
    PHOTOGALLERY
    • POLITICS
    • Diplomacy
    • Legislation
    • War On Terror
    • EU Affairs
    • News Analysis
    • TÜRKİYE
    • Istanbul
    • Education
    • Investigations
    • Minorities
    • Diaspora
    • World
    • Mid-East
    • Europe
    • Americas
    • Asia Pacific
    • Africa
    • Syrian Crisis
    • İslamophobia
    • Business
    • Automotive
    • Economy
    • Energy
    • Finance
    • Tourism
    • Tech
    • Defense
    • Transportation
    • News Analysis
    • Lifestyle
    • Health
    • Environment
    • Travel
    • Food
    • Fashion
    • Science
    • Religion
    • History
    • Feature
    • Expat Corner
    • Arts
    • Cinema
    • Music
    • Events
    • Portrait
    • Performing Arts
    • Reviews
    • Sports
    • Football
    • Basketball
    • Motorsports
    • Tennis
    • Opinion
    • Columns
    • Op-Ed
    • Reader's Corner
    • Editorial
    • Photo gallery
    • Jobs
    • privacy
    • about us
    • contact us
    • RSS
    © Turkuvaz Haberleşme ve Yayıncılık 2021