Russian avant-garde artwork scrutinized at Istanbul museum

DAILY SABAH
ISTANBUL
Published 05.11.2018 20:09
Updated 05.11.2018 20:10
Gustav Klucis, “Radio Orator, Agit stand with loudspeaker, No 1 & 2,” 1922 Ink on paper, State Museum of Contemporary Art-Costakis Collection
Gustav Klucis, “Radio Orator, Agit stand with loudspeaker, No 1 & 2,” 1922 Ink on paper, State Museum of Contemporary Art-Costakis Collection

Sakıp Sabancı Museum has turned its focus to one of the most exciting periods of art in the 20th century. One of its newest exhibitions aims to fulfill its academic mission by presenting the layers of political background of the Russian avant-garde

The most comprehensive exhibition of the Russian avant-garde movement in Turkey, "Russian avant-garde: Dreaming of the Future with Art and Design" is awaiting visitors at the Sakıp Sabancı Museum.

The exhibition presents a very comprehensive selection of Russian avant-garde and is open until April 1, 2019.

Providing information on the exhibition Museum Director Nazan Ölçer noted that the new movements of innovation in art, which started in 19th century Russia, turned into a complete art movement in the first quarter of the 20th century, an era that would be repeated with wars and revolutions.

The "Russian avant-garde: Dreaming of the Future with Art and Design" exhibition offers a selection that reflects the importance of Russian avant-garde, which represents a tremendous acceleration of art and science side by side in a wide framework ranging from music to literature, from theater to painting and sculpture, from architecture to cinema and to scientific studies, in the history of art.


Kazimir Malevich, "Black Rectangle," 1915, Oil on canvas, State Museum of Contemporary Art-Costakis Collection.

The exhibition is co-curated by Ölçer and Maria Tsantsanoglou, the director of Thessaloniki State Contemporary Art Museum's George Costakis Collection.

Along with the Costakis Collection, the exhibition is displaying 513 works of art selected from leading private collections in Europe, the All-Russian Decorative Arts Museum in Moscow and the Multimedia Art Museum. Displayed together for the first time in Turkey, the wide selection shines a light on the importance of Russian avant-garde in the history of art.

The artists and schools that worked throughout the period and aimed to spread art to all areas are represented with their rich creations in painting design, literature, cinema and theater at the exhibition.


Ivan Kliun, "Portrait of the Artist's Wife," 1910 Pencil, watercolor and gouache on paper. State Museum of Contemporary Art-Costakis Collection.

The exhibition was designed with the mission of displaying how the intellectual and artistic developments arising due to dramatic changes and radical innovations in the first quarter of the 20th century affected not just the Russian artistic culture but also world art history. The exhibition includes groundbreaking works of the Russian avant-garde artists, who considered art a power that would transform life from the beginning of the 1900s and also the social designs and the vast borders of the future they dreamed of enthusiastically in the innovative atmosphere after the 1917 October Revolution with the support of the new regime. Avant-garde artists turned to science with the excitement of the technological development and industrialization at the beginning of the 20th century and their belief in the progress, their dreams which transcended the borders of the world and reached the sky are reflected vividly in their works at the exhibition.

The world's most important Russian avant-garde collection and archive, The Costakis Collection, forms the basis of "Russian avant-garde: Dream of Future with Art and Design." Kazimir Malevich, the creator of the "Black Square," Vladimir Tatlin, the precursor of a new area in art theory by blurring the lines between production and art, and Alexander Rodchenko, the brave pioneer of photography, painting, sculpture and graphic art, are among the leading artists off Russian avant-garde. All the artists were selected from the Costakis Collection, which was compiled with great passion to ensure that the works of the Russian avant-garde are transferred to future generations.

Olga Rozanova, who focused on the interaction between text and painting, Lyubov Popova who contributed to the transformation of the language of theater with her decorations and Natalia Goncharova, who looks into Russian folk art and acted as pioneers of Russian avant-garde, are also included in the exhibition from the Costakis Collection, representing the intensity of female artists of the period.

"Russian avant-garde: Dreaming of the Future with Art and Design" brings together the works of pioneer artists of the era, which was one of the landmarks of 20th century art.

The applied works of art representing the Russian avant-garde movement, which also focused on Russian folk art in its research on the structure of the new art and society, borrowed from the All-Russian Decorative Arts Museum in Moscow, represent how Russian avant-garde had an ideal of reconstructing life and the history of its connection with folk art.

The comprehensive photographic archive of Moscow Multimedia Art Museum, including the photography archive of Russian avant-garde's pioneering name Alexander Rodchenko, represents how Russian avant-garde adapted to new technologies and opens a window to the private world of these artists.

The transformation created by Russian avant-garde on the cultural atmosphere of the period is reflected in the exhibition through magnificent constructions and recreations. The aircraft construction, "Letatlin," designed by Vladimir Tatlin shows how Russian avant-garde had the dream of transforming life. The Russian avant-garde theater scene, where the foundations of modern theater were laid and many Russian historians point out as the place where Russian avant-garde was discovered, comes to life through reproductions at the Sakıp Sabancı Museum.

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