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Rembrandts, rare Vermeer illuminate Amsterdam's 750th year

by Deutsche Presse-Agentur - dpa

AMSTERDAM, Netherlands Apr 09, 2025 - 12:05 pm GMT+3
The "Portrait of a Young Woman" by Dutch painter Rembrandt van Rijn is on display at an exhibition at the H'ART Museum, Amsterdam, Netherlands, April 8, 2025. (EPA Photo)
The "Portrait of a Young Woman" by Dutch painter Rembrandt van Rijn is on display at an exhibition at the H'ART Museum, Amsterdam, Netherlands, April 8, 2025. (EPA Photo)
by Deutsche Presse-Agentur - dpa Apr 09, 2025 12:05 pm

An extensive private collection of Dutch Old Masters is making 75 of its works available, including 18 Rembrandts, to celebrate Amsterdam's 750th anniversary this year.

The "From Rembrandt to Vermeer, Masterpieces from The Leiden Collection" is on show from Wednesday to Aug. 24 at the H'ART Museum in the city center.

The museum describes the exhibition as "a unique and intimate glimpse into the 17th-century Netherlands through the eyes of the great Dutch Masters."

Other artists include Frans Hals, Jan Steen, Ferdinand Bol, Gerard Dou and Frans van Mieris.

The exhibition includes the only Vermeer still in private hands – "A Young Woman Seated at the Virginals."

The exhibition sketches many facets of Amsterdam life, highlighting everything from food, drink, reading and music to aging, parenting and the art of portraiture and self-portraiture.

It includes character studies of people from various backgrounds, at the market, in the pub or their homes.

The focus is on 17 paintings and one drawing by Rembrandt, who moved to Amsterdam from Leiden in 1630.

The U.S.-French art collector Thomas Kaplan has been fascinated by Rembrandt since childhood and has assembled "The Leiden Collection" in the artist's honor.

The H'ART website notes that the exhibition depicts many women, from wealthy matrons to goddesses to ordinary citizens.

"Particularly noteworthy is the inclusion of a painting by Maria Schalcken, one of the few women in her time known to be working as a painter," it adds.

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